For Jan Vromman, it has been a difficult decision between studying History or film directing. Today, he dedicates himself to documentary filmmaking and he often treats subjects that require research, point of view and historical insight. Documentaries such as Zolang er scheepsbouwers zingen (1999), De kunst van het boomhakken (1993), Le petit jeune homme de Binche (1992) and De geschiedenis van het varken (in ons) (2017) bear witness to this. Nevertheless, his documentary practice is multimedial and transversal. Curiosity also drove him to theatre, socio-artistic projects, installations and even works of fiction. An essayistic and language-centered approach is a key part of many of his works. Complicity and emotion shouldn’t interfere with insight and analysis. Jan Vromman also holds a doctorate in the arts.