Three experimental short films in which Dekeukeleire playfully explored how cinematic ‘reality’ is constructed.

A vagrant mourning the loss of his wife unleashes a chain of strange events in a Flemish village community. In his first feature film, Dekeukeleire combines rural mysticism and avant-garde camera techniques to forge an uncanny love story.

In this seemingly classical detective story, the subjective camera eye itself gradually claims the leading role. A playful ode to Dziga Vertov.

The deconstruction of the camera eye is pushed to the utmost in this experimental short film featuring four 'characters': the motorbike, the woman, the mountains and a series of abstract cubes.

Leroy’s black-and-white images travel along the banks of the Danube, recounting the history of a disintegrated and devastated Eastern Europe. A film that oscillates between a poetic dream and a historical travelogue.

Leroy’s first feature film resonates as a poetic rumination, a melancholy declaration of love which takes the form of a dialogue with a Berlin lost to memory.

Lyrically blending both documentary and narrative elements, Khleifi skilfully and lovingly crafts a portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives.

Young Cyril wants to find his father who placed him in a children's home. During his search, he meets Samantha, who takes him into her home on weekends.

The travel diary of the filmmaker, who travels to Tokyo for love. A documentary where beautiful and at times intimate images interpose over a voice-over reciting an unrelated poetic text.

In this ensemble film, men, women and children, overcome by their desires, indulge in the excess of their feelings during a hot, stormy summer evening in the city.

Lawyer Govert Miereveld teaches at a girls' school in a provincial town. He harbours a secret platonic love for his pupil Fran, which plunges him into a downward spiral of mental disorientation. A masterpiece of Belgian magic realism.

Not far from Los Angeles lies the unfinished desert city of California City. A 25-year-old Lashay T. Warren attempts to build a new life there. A visual rummage through the dusty streets that Lashay playfully describes.