A vagrant mourning the loss of his wife unleashes a chain of strange events in a Flemish village community. In his first feature film, Dekeukeleire combines rural mysticism and avant-garde camera techniques to forge an uncanny love story.

In this seemingly classical detective story, the subjective camera eye itself gradually claims the leading role. A playful ode to Dziga Vertov.

The deconstruction of the camera eye is pushed to the utmost in this experimental short film featuring four 'characters': the motorbike, the woman, the mountains and a series of abstract cubes.

A rhythmic film poem which experiments with different editing techniques. The contrast between the professional boxers and the amateurishly assembled set forms the backdrop of a surprising experiment with form.

A short film program celebrating the diversity of Belgian cinema, curated with the online film magazine Sabzian.

Three experimental short films in which Dekeukeleire playfully explored how cinematic ‘reality’ is constructed.

Charles Dekeukeleire was a Belgian film director, critic and writer. This collection traces Dekeukeleire's visual deconstructions, from his first short experiment with form in Combat de boxe (1927) to his first narrative feature film The Evil Eye (1937).